TIMO RADÜNZ
"In a perfect world..."
a day for Timo Radünz clearly has more than 24 hours. Either way, all available time is effectively and productively invested in art. Or to work, but with Timo it's not easy to separate them. Because Timo lives for art.
Even before successfully completing their training in singing, dancing and acting at the Stage School in Hamburg, Timo celebrated their professional stage debut at the Theater Heilbronn in 2012 in the role of Mercedes in LA CAGE AUX FOLLES. Shortly thereafter engagements followed, among others as a dance captain in CABARET (director: Werner Sobotka) and THE ADDAMS FAMILY (director: Andreas Gergen) or as a swing for GEFÄHRTEN/ WARHORSE (director: Polly Findlay/Mervyn Millar), ROMEO & JULIA (director: Christian von Götz) and SHREK (Director: Andreas Gergen). Most recently, Timo was on stage at the Landestheater Linz in 2019 for the role of Tintinabula in DIE SPINNEN DIE RÖMER (Director: Matthias Davids).
In addition to appearances on stage, Timo soon also demonstrates talent in front of the stage, for example in 2015 with the choreography for EATING RAOUL (director: Werner Sobotka). In numerous other projects, a pronounced joy in designing and staging develops, for example in being responsible for the choreography of DIE GLORRICHEN (director: Frieder Kranz), COCO – THE TRANSGENDER MUSICAL (director: Stefan Huber), THE LAST 5 YEARS, SATURDAY NIGHT FEVER (director: Till Kleine-Möller) and most recently GHOST - NACHRICHT VON SAM (director: Manuel Schmitt), also for choreography and movement direction at the Flying Fox Theater (POM POM, GROSSVATERS KIRSCHBAUM & IKARUS - F***ED UP) and again and again in valued cooperation with the Clingenburg Festival (WEST SIDE STORY, SHAKESPEARE IN LOVE, ROCKY HORROR SHOW).
For their versatile work in choreography and acting, Timo was awarded the special prize of the jury of the proskenion foundation in 2016 as an exceptional artist.
But beyond the theater stage, Timo finds just as much pleasure in teaching at universities (Uni Bayreuth, Theaterakademie August Everding), private schools and other educational institutions such as at the New York City Dance School or since 2018 also for the squad of the German Ballet Competition.
Timo gets inspiration for all his creative work from films, series, books, of course from the theatre and above all from being with people. That's why in a collaboration with Timo there is always a stable framework with staging cornerstones right from the start; the final work of art, however, always takes shape under the influence of the here right now.
An artistic cooperation with Timo, despite his unmistakable handwriting and conscious attitude to his own
Art, therefore – just like the performing arts themselves – should always be understood as being in the making.
The remaining, temporarily unprocessed inspiration forms with Timo in a creative process
Creativity to drawings, paintings, sewing, improvisational dance and other artistic products
– most importantly with a touch of Timo.
